Post Mortem on Ziggy Stardust

Ziggy

Some amount of time over two years ago I recorded a cover of Jimi Hendrix’s “Little Wing” with Jonny, my guitarist.

He made spacey noises on the pedal steel and it reminded me of Dark Side of the Moon. From there was born the wacky idea to play that famous Pink Floyd record live. We spent a few months practicing it, brought in a couple of ringers at the last minute to help us flesh it out, and lo, a show was born. I just thought it might be a fun thing to do and that maybe people might also find it fun to listen to. The weird part was the emotional reaction the crowd seemed to have. More than one person came up to me afterwards with tears in their eyes. I didn’t expect that at all.

So we decided to do it again the next year and picked Radiohead’s OK Computer. The weird thing about the process is how the record really starts to open up to you when you’re practicing it. These are records that all of us were really familiar with as fans, but they morph and change when you’re trying to bash out live versions of them. True, by the time we’re done, I really don’t want to hear them again for a while, but somewhere in the middle they really do become completely new records to me, full of little surprises. We brought along another ringer and played the show.

Afterwards, people had the same emotional reaction, which surprised me even more. So I figured, well, I guess this is a THING now. Since we’d done the show in October I thought, I’ll make this our Halloween tradition… where we pretend to be another band and play a full record live. The upcoming October was looking to be busier than usual for us so I tried to pick a record that I thought would be a little more straightforward than the last two.

But I was wrong. I think The Rise and Fall of Ziggy Stardust and the Spiders from Mars may have been a bit easier for some in the band, but I know for me it was the hardest one so far. I know Debra (a ringer from the Dark Side show, now a permanent band member) had to work really hard for it, too. Bowie’s voice and style are not mine, so it was a much bigger stretch for me in terms of technique and attitude. Usually about halfway through practicing the record, I will find myself in it and it all makes sense. But it honestly wasn’t until the last night we practiced that I finally felt like I got it right.

We streamed the show live over the web this year (thanks, Paul Abrelat!), and here’s an archive of that (a little pixelly, a little out of sync, we’re not all the way in the future yet, but we’re getting there).

I tried very hard to be the special man, and they were definitely Ziggy’s band. I am a very lucky musician to be surrounded by such talented people (including this year’s ringers: Laura Seebol and Brian Bland), and to be able to play these odd little shows for people who open up to the experience. Thanks to them, and thanks to you.

another Letterman post

Other, better people have written/will write postmortems on Letterman and his impact. I haven’t watched the show in decades (it’s not a philosophical thing, I can’t watch local channels, it’s complicated), but I wanted to tell a little story about his impact on me.

I’m sure it will come as a HUGE SHOCK that I was a shy, nerdy kid. But I could be funny, at least, and I grew to have a core group of friends who were either similarly alienated or didn’t mind hanging out with those of us who were. In high school, most of us in that group watched Dave religiously. Many of us used to hang out after school in the Art Club, and one week we were asked to provide the giant banner for the football team to run through at the game.

We weren’t fans of the football team and they weren’t fans of us, if they bothered to think of us at all. We did not have “pep.”

One of the running gags on Letterman at that point involved Larry “Bud” Melman hawking a fake product called “Toast on a Stick.” It was, literally, toast. On a stick. We thought it was hilarious.

We did not want to make a banner for the football team. Until someone decided we should make a banner in the shape of toast. On a stick. Not only that, but we brought a giant bag of handmade toast on a stick to the pep rally, and chanted “Toast on a stick! Toast on a stick!” while holding them up high.

WE thought it was hilarious.

Saturday Night Live had taught me how to be funny, which helped as far as not getting picked on too much. David Letterman taught me that the weirder, more surreal things I thought were funny were worth putting out in the world, and who cares what they think?

Things are on the way!

Paul Melancon

Hello earthlings! I like when people give me updates. I fancy that you might feel the same. Please do not let me know if I’m wrong.

A while back (okay, a long while back) I told you we were recording. We were. But being me is a tiring thing, so things sometimes move slowly. At the time I had a few songs and it seemed time to start recording them. But the truth is I had no overall plan for them, and I have always worked better when I have an end goal that is something more than “record the songs that are around.”

That has changed over the past few months and there is an end goal in sight now. A new record takes shape. All the songs exist in some form. Some are just sketches and others are living and breathing. All of them belong to a single (weird) story. It will be very me.

In the meantime, there will be some shows, a single (not part of the record) to tide you over, a kickstarter, recording… and then, supreme overlords willing, a new record in early 2016.

Bit by bit I will tell you more, as much to keep you informed as to commit myself to its completion.