c’est fin

On October 29, 2000, I started working at Rob’s studio.

It’s June 20, 2002, and the CD is done.

I never intended to spend this much time on the CD. The stretch of time alone is misleading; it’s been under 200 hours total, including the mastering, so less than a month of normal days, all told. Just spread out over almost two years.

Thursday I spent the whole day mastering the CD at Southern Living At It’s Finest. Rob was there, too, something he usually charges for, but I think after this much time (and the rush at the end to finish it) he wanted to make sure it survived intact.

There aren’t any useful details to really bore you with. Alex Lowe, who did the mastering, did a great job, particularly at working in the extra little incidental bits, and tweaking the sound occasionally when the mix suffered a bit from the aforementioned rush.

The process itself was pretty light-hearted, a lot of joking going on. A good lunch from some French sandwich shop. The studio is a high-class affair, Shawn Mullins does work there, and it’s right next to the studio where Outkast work, so a lot of work flows between the two. It’s all very swank.

When we got to the point where we started burning the CDs, I had a really stupid grin on my face. You know how it felt, when you were a kid, and you spent all of December waiting for Christmas, and everything you did; school, being at home, playing with friends, good or bad; couldn’t escape from the association with what month it was and what was coming. The gnawing of waiting for that morning to finally come.

Imagine that feeling stretched out over a year and a half, and then add it to the feeling you had once you woke up Christmas morning and first saw the tree and the gifts. That should give you some idea.

When I left I still had the same stupid grin. Not so much from the result of the effort, but just from the effort finally ending. I still hadn’t really listened to it from start to finish yet, I mean, I heard each song multiple times during mastering, but never finally laid out, in order, with everything in place. But I felt good.

And, since sometimes days are just good to you, I put my hand in my pocket and my keys were gone. I looked in the car and they were in the ignition. I knew I was screwed. But for the hell of it, I tried the passenger door. It was, of course, unlocked. Something I NEVER do.

Which would make a fine literary ending to a good day. But this is reality, and there is more, of course. I finally listened. Start to finish, for the first time, late last night. The shine has worn off and I feel slightly less confident. There are a few things I need to listen to again later today; things that I’m not sure might be problems. It’s hard to tell with my stereo, which has one speaker slowly going out.

Plus, I’m still in a vacuum, I have the finished CD, but no way of knowing if it works, if it does what I want it to, if it will translate for everyone else the way I wanted it to. There are odd little things going on, that could be seen as good or bad, depending on how they strike someone.

For three months, I won’t have a clue, really, whether it worked. I still feel good, but the goofiness is gone. Bear with me while I wait. And wait.

What the?!; the Yum Yum Tree; the Young Antiques

June 08, 2002
What the?!; the Yum Yum tree; the Young Antiques

Anyone who, for whatever reason, has some idea that I am somehow… ‘cool’… should come watch me stand around by myself at a club. It will disabuse you of the notion rather quickly.

I am so out of my element (and your guess is as good as mine what my element IS) at someone else’s show by myself. I have never been a smooth guy, god knows, or been any good at dating or the scene. And though thankfully those days are behind me, I still feel horribly out of place when I do go out. Never at ease, aware of every appendage and where it’s placed. Ugh. It’s laughable.

Anyway, I went out tonight to a couple of different shows, two bands who I have promised for far too long to come see, and they happened to be at two clubs within walking distance of each other, so I made the trek out to East Atlanta. I went to the Echo Lounge first, to see What The…? play. Lyle, who is the bassist foolish enough to want to go to LA and play for me at IPO, is the lead singer. I stuck around for four or five songs, and then walked over to the Earl to see the Yum Yum Tree, which is Andy Gish’s band who I keep failing to go see. I caught the last half of their set. I was surprised by both bands, even though I had a decent idea of what both of them sounded like.

I stuck around after them to see about half of the Young Antiques set. I haven’t seen them play in about two years, and I really thought they were great back then. Seeing them tonight reminded me why. I like a lot of local bands, some of whom I think really deserve national success, who have really developed a genuine sound. But it’s the Young Antiques who I can’t believe haven’t been snapped up by someone by now. They’re not a band that needs to be tethered to this town. They may play out of state more than I’m aware, I don’t know. But when I see them play I can’t shake the feeling that I’m seeing something much bigger than a club like the Earl (no offense) should have.

I ran into several people, which helped a bit with the awkward “why is that guy alone and what is he doing looking at me” sense I had of myself all night. Greg from Gentle Readers and Josh from Lithp were at the Echo and then went over to the Earl just before I did. I ran into someone I met years ago when Radiant City was still around who used to be in a band called Atticus Finch. And then just before the Antiques went on I ran into Jimmy Ether, which shouldn’t have been a surprise when I think of it. When I left I told him to tell them that I thought the set was great, even though I knew they wouldn’t know who he was talking about. But he said that actually Blake wanted to get in touch with me about playing some acoustic shows, which caught me off-guard. That’s something I would really look forward to. So, hopefully we can get together at some point and work it out. I don’t know whether he knew of me because of jimmy or if he remembered me or what, but flattering nonetheless.

One thing that stands out is that East Atlanta no longer seems to be THE PLACE. It was surprisingly dead for a Friday, especially at the Echo. The Earl was doing better, but I didn’t think the crowd was any better than the show we played there on a Thursday back in October. Does anyone in town have a clue if ANY club is a draw anymore? 10 High still seems to do well enough on the weekend, and it and the Earl seem to be the only two places where people come in who aren’t already fans of a particular band on the bill.

Off to bed.

One year later…

There are strange things afoot.

So, back on Monday, you may recall (or merely look downward two entries) that I posted up a new .mp3 of a song called “Jeff Lynne” that will be on the new CD. I received some very kind comments from you guys (thanks, again). A friend also posted it to a Jellyfish mailing list he happens to be on. Another person on that list has a live365 station, and saw the song and added it to that week’s show (he’s played me before).

All of which was very nice. But then… then it got odd.

About 9 months ago, I signed up for the digest version of an ELO mailing list. Well, the main list, actually, one of the people responsible for it is in charge of the remastered editions of the ELO catalog that started coming out last year. I signed up for it because I knew I was recording this song, and I wanted to find out a way to try and get the song to Jeff Lynne if I could. I didn’t ask at the time, though, I figured I would try to insinuate myself a little into the list, so it would seem less self-serving to have joined, and then ask when the song was ready. Of course, being me, I never really insinuated myself at all, I lurked almost exclusively, as I tend to do on any list I have ever joined.

So, Monday night I get the digest version, and I see my name listed in the headers. Someone has posted about the song, someone I don’t know. How he found it I have no idea. Two other people responded favorably. It was kind of cool, being pre-empted like that, stumbling across my name where I least expected it. I thought about posting, but thought I’d wait to see if there was any more response. When the next digest came there was no mention, so I decided to just let it lie. They knew about the song, and some people had heard it, that seemed pretty good.

Except, Tuesday I checked my web usage stats on the site. Wednesday I checked them again. By the end of yesterday, 539 people had downloaded the song. It’s not a huge number by any means, but it is a definite large spike from anything else I have ever offered up on my own site. The only advertising about it would have been from my mailing list (about 250 people) and the mention Adam gave it on the Jellyfish list. Sarah went looking around the web and found a number of different ELO sites with message boards… where I had become a topic of some discussion. Yesterday I got an email from the owner of the list I am on, who didn’t realize at the time that I was on the list, telling me that my song was causing “quite a commotion” on the list. She asked me some questions about it in order to satisfy people on the list, and forwarded me one person’s stab at the lyrics.

She also asked if I had sent a copy to Jeff’s manager, saying she could get it to him for me if I wanted.

I refer you to this, written almost exactly a year ago today, for reference as to the magnitude of this offer.

I cross my fingers and wait.